Q-Tip: Open (2004 but unreleased)

Q-Tip

Record company people are still shady.

THE SCENE: When we last left Q-Tip in 2001, Arista Records refused to release his album Kamaal The Abstract, deeming his ambitious fusion of hip-hop, jazz & rock “uncommercial”. I imagine the conversation went something like this:

Record Exec: “I don’t think this album is going to sell.”
Q-Tip: “But every album I’ve made has sold over half a million units, including all the Tribe Called Quest albums.”
Record Exec: “You were in A Tribe Called Quest?”
Q-Tip: (says nothing in return, makes note to call J Records.)

After negotiating a release from his label, Q-Tip moved to J Records where in 2004 he refined Kamaal‘s breakthroughs with the abstract grooves of Open.

Melting the melodic expressiveness of jam-rock into the cadence and form of hip-hop, Open is a confetti explosion of re-interpreted sounds. Q-Tip’s treble flow retains its tap dancer grace, but his usual sunny self is shaded with caution and abandonment. He’s also singing again, but he’s given near duet status to guitarist Kurt Rosenwinkel, who drops prominent chunks of jazz-metal riffs over the live band.

“Johnny Died” crystallizes Q-Tip’s manifesto, as he raps over a headbopping beat in 6/8 time, playing slip-n-slide around the guitars’ ragged pogoing. The sneaky, circus-like riffs of “Black Boy” crunch greasily like fried chicken as Q-Tip’s sweetly paranoid vocals peel back the carnival curtain:

Be careful of the thing you say
Or they’ll tow your black butt away
Be careful ’bout how you roll
They’re gonna say that you’re outta control

Anyone expecting traditional rap songs on this album will also think he’s outta control with his blues jam “Feelings” and the spidery, climaxing 9/4 rhythm of “Where Do You Go?”. The tracks get groggier and drowsier in the rapidly detuning “Late Mornin'” and the constantly rewarping “I’m Not Gone Have It”. He finally collapses, sinking into the magenta mud of “Lisa”, his melancholia telegraphing the beginning of a romance’s end:

When I woke up in the morning
I still felt it in my bones
Because I think about that morning
When I called you at your home
I told you about my rough times
And you rushed me off the phone
Was it because you didn’t really care
Or because you weren’t alone?

A tour de force of grand experimentalism, with sharp lyricism and tight beats. What could go wrong?

THE FALLOUT: J Records refused to release Open, deeming his ambitious fusion of hip-hop, jazz & rock “uncommercial”. I imagine the conversation went something like this:

Record Exec: “I don’t think this album is going to sell.”
Q-Tip: “But every album I’ve made has sold over half a million units, including all the Tribe Called Quest albums.”
Record Exec: “You were in A Tribe Called Quest?”
Q-Tip: (says nothing in return, makes note to call Universal/Motown Records.)

Q-Tip eventually decamped to Universal/Motown, where he recorded Live at The Renaissance in 2005, which also remains unreleased. On November 7 he’s scheduled to release a reworked version called The Renaissance, making it his first solo joint in 9 years. As this is the same date as the most important presidential election in American history, will anyone even notice?

Open remains unreleased, but you can sample tracks here:

Throbbing with human fraility, Open ushers in a stillborn musical genre, one too un-regimented for an official airing.

See you next Wednesday.

NEXT WEEK: Step aside, Larry Graham! Dorothy Ashby plays her funky…koto?

Q-Tip: Kamaal The Abstract (2000)

qtip_kamaal

Thanks for advancing music, now drop dead.

Purchase this album: Amazon

(The following article was written in 2005, but in 2009 the album was finally released.)

THE SCENE: As the ex-leader of the beloved conscious rap group A Tribe Called Quest, Q-Tip irritated his fan base with his unexpectedly jiggy solo debut, 1999’s Amplified. Sensing that he wasn’t cut out to be a fur-wearing mainstream rapper he completely flipped the script for his next album, 2000’s Kamaal the Abstract.

Much like Sting did for Dream of the Blue Turtles, Q-Tip also assembled a tight team of jazz musicians and crafted a sweet album of finely textured pop songs that crackles with deep grooves and the joy of live band performance. Kamaal the Abstract humbly melds the best aspects of acid jazz, hip-hop and alternative rock into an ambitious and exciting new form.

“Feelin” jumps in with a seemingly ordinary hip-hop track but expands like a peacock plume with chunky guitars and radio static. After rapping and scatting for a bit it’s all about the O.G. organ solos, played so vibrantly you’ll forget that it goes on for minutes. It’s full of “walking down the street on your way to the party” spirit.

Q-Tip’s commitment to the flow of the groove is so sincere he sometimes vanishes altogether, as he does in “Do U Dig U”. He introduces his spacey and souful singing voice then lets the flutes take over, gilding slinkly across crisp percussion, recalling those smoky bohemian clubs with the small round tables and red lights that serve mojitos.

The electric piano-driven “Barely In Love” warmly invokes the buzz of a new crush with the most joyous hand claps you’ll hear outside of a gospel choir:

When you really think about it
love is truly powerful
the undeniable force
that makes it magnetic
when you can’t explain
when you do
what you do
can’t nobody take away
when you do
what you do

His band turns up the intensity in “Heels”, his playful ode to women’s shoes, with stomping drums and funky xylophone. “Abstractions” is a musically dense bottle rocket of fun where he repositions himself, the new advanced model Q-Tip, as a playful musical adventurer.

THE FALLOUT: Arista Records treated the album with all the love of a stripper at a church picnic, branding it “uncommercial.” Promo copies were released to hip-hop and rock journalists, who alternately raved it up or ripped it to shreds. A Spike Lee-directed mini-movie was commissioned and abandoned. A 2002 release date was set and cancelled, causing Q-Tip to negotiate a release from his contract. Five years after it was completed, Kamaal the Abstract is still lying somewhere in Arista’s vault.

UPDATE: It’s now available from Amazon and you can listen to tracks here:

See you next Wednesday.

NEXT WEEK: Introducing Konoko N°1: the world’s only electrified Congolese trance punks.