MeShell Ndegéocello: Bitter (1999)

meshell_bittter

Truth in packaging.

Purchase this album: Amazon

THE SCENE: In 1996 singer/bassist/composer MeShell Ndegéocello released her second recording, the funky and soulful Peace Beyond Passion. Adding to her repertoire of romance tunes were songs about racism, religion and homophobia — just enough food for thought for commercial radio to drop her from playlists. Three years later she returned with all-new reasons for radio silence, the wounded Bitter.

Raw as a salted wound, Bitter is the fresh grave of a dead romance; the sounds that come out of your mouth after you’re all cried out. Gone are the rubbery bass lines and synthetic articulations, replaced with acoustic instruments played at speed of melting ice.

Her voice remains a smoky hush but now blackened with ash. Pleading with vulnerability, her empathic grief extends to every song, every tone, but never becoming pitiful. In the measured “Fool of Me”, her anguish is so deep perhaps the brushed drums are the only thing keeping her from falling to pieces.

“Beautiful” is even more fragile, revealing the intimate talk between lovers that we probably shouldn’t be hearing:

such pretty hair
may I kiss you
may I kiss you there
so beautiful you are
so beautiful
beautiful

please
don’t move
you feel
so good to me
tell me in my ear

beautiful

Even the instrumentals offer no solace. The casket-black beats of “Adam” anchor the weeping violins, while the plucked strings of “Eve” sound lost in a void of displacement.

The faster tracks sparkle with restrained tension. The pastoral regalness of “Satisfy” is a woodsy, forest dream. “Wasted Time” is a sparse skeleton dance of the burnt-out, with a tasty dehydrated slide guitar.

Ndegéocello also reinterprets Jimi Hendrix’s “May This Be Love” as a quasi-East Indian raga that hovers and darts into space music. Within the confines of the album this zigzag of styles is intoxicating, but outside the album….

THE FALLOUT: Named “Album of the Year” by many journalists, Bitter infuriated fans who wanted the funkier MeShell back, and it tanked. Ndegéocello revisited her approach again in 2005 with the release of the jazzy and challenging The Spirit Music Jamia: Dance Of The Infidel.

Bitter is available from Amazon and you can sample tracks here:

A fierce emotional letter-bomb, Bitter triumphantly reconstructs the particles of heartbreak into a new, hopeful organism.

See you next Wednesday.

NEXT WEEK: Good stuff from Bad Brains.

One thought on “MeShell Ndegéocello: Bitter (1999)”

  1. I Love this music. It’s like… So Very Amazing! I first heard Beautiful in Lost and Delirious, And it was stuck in my head.. For weeks. >.< So, I went in search of it on Google and found this site. I saw the other songs and decided I should listen to them. And, I loved them!!!! Mwuahahahahahaha. 😀

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